ARTWORK FOR THIS ALBUM WAS CREATED BY ASKING THE ROBOTS TO MAKE ME ART FOR "A NEW ALBUM BY BUTTRESS O'KNEEL CALLED NONWAVE". NO IDEA WHO THAT WOMYN IS MEANT TO BE OR WHY SHE HAS THAT ROUND THING ON HER CHEEK - BUT I COULDN'T HELP BUT TURN IT INTO A COSTANZA BECAUSE OF THE JASON ALEXANDER TRACK ON THE ALBUM. BUT OTHER THAN THE COSTANZA AND THE WORDS, THE ART IS 100% ROBOT-COMPOSED AND ROBOT-CREATED. THANKS ROBOTS!

THIS IS COMPOP 44.7 IN THE ONGOING COMPOP SERIES, A METAMATTER PERMACULTURE INITIATIVE.

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track 1 is Set Me Free by Jimin x Dionysus by BTS, popchopped

track 2 is just bits of WAP by Cardi B and Megan Thee Stallion

track 3 is Therefore I Am by Billie Eilish run through the "swing" setting on The Beatmachine, then midified, then reintegrated with the midification

track 4 is a remix of "Walking" from "Dadastep Psychological Punk Crossover" (2015), with more of everything, and an interlude about shittin' pants by The Walking Dead character Negan

track 5 is a talk / Q+A by Jason Alexander with most of the information taken out

track 6 is Lovely by Billie Eilish, doublemidied and played at halfspeed

tracks 7 and 8 are "Baby Got Juice" from Free Dadapop (2023) popchopped

track 9 is Underpants from Octamidi Megawave (2020) octaverted, then mixed with the very end section Jungle Rat from "Avant Retro: Post​-​Tardcore" (2012), as well as a midified version of the same Jungle Rat coda

track 10 is a Beatmachine-randomised version of Don't Ghanguech With My Heart from "Shitcore" (2006)

track 11 is a ridiculous mess that reuses portions of Bring A Bucket And A Mop, The Shittin' Dead, and Have Great Lives, to kinda hold the album together. but it also uses heaps of an unreleased midi experiment, which i guess is now a released midi experiment. in this experiment, i took a whole lot of vocal syllables from a whole lotta songs, and spaced them into a rhythmic pattern. then i mixed this pattern down and midified it, and then brought back the midi file and incorporated it into the vocal stuff, as a whole lot of different sounds - like, first there's the vocal sound, then that sound played as a piano, then that sound as a sine wave, then that sound as a drum or whatever, like some kind of weird morphing echo. so i made a track like that, but never did anything with it - until now, when i kinda randomly saw it sitting there and thought "huh" and gave it a go and there ya have it, now it's a thing. so all those midi sounds u can hear, they are all different versions of those vocal sounds (which come from things like Amy Winehouse and the Bee Gees and ODB and Kelis and Beyonce and stuff)

track 12 is an octaverted and then midified version of When The Party's Over by Billie Eilish

track 13 is a popchopped improvisation using some Alice Coltrane as source material - this was made a while back and my note-taking game is poor, and so all i know is that the file was called "Eternity" and Alice Coltrane has an album called "Eternity" so i'm assuming it was made from a track from that album? i added a new additional bassline to it and now it's part of this album, hooray!

all the popchopping on this album was performed improvisationarily, riding the sliders and tweaking the tweakers realtime.

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